VELAZQUEZ, Diego Rodriguez de Silva y

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.


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VELAZQUEZ, Diego Rodriguez de Silva y The Waterseller of Seville (detail) oil


The Waterseller of Seville (detail)
Painting ID::  38424
The Waterseller of Seville (detail)
1623 Oil on canvas Wellington Museum, London
1623 Oil_on_canvas Wellington_Museum,_London
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y The Supper at Emmaus oil


The Supper at Emmaus
Painting ID::  41344
The Supper at Emmaus
mk161 Oil on canvas 48x52
mk161 Oil_on_canvas 48x52
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Juan de Pareja oil


Juan de Pareja
Painting ID::  41345
Juan de Pareja
mk161 Oil on canvas 32x27
mk161 Oil_on_canvas 32x27
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Portrait of the Infanta Margarita oil


Portrait of the Infanta Margarita
Painting ID::  43634
Portrait of the Infanta Margarita
c. 1660 Oil on canvas, 121 x 107 cm
c._1660_ Oil_on_canvas,_ 121_x_107_cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y The Infanta Don Margarita de Austria oil


The Infanta Don Margarita de Austria
Painting ID::  43635
The Infanta Don Margarita de Austria
c. 1660 Oil on canvas, 212 x 147 cm
c._1660_ Oil_on_canvas, 212_x_147_cm
   
   
     

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     VELAZQUEZ, Diego Rodriguez de Silva y
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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